Romanticism Today: The Singer/Songwriter-Paradigm
(10 Einträge)
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 1. und 2. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 1. und 2. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 21. April 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-04-21 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Song, Trey Anastasio, Loudon Wainwright, Sturgill Simpson, |
| Identifier: | UT_20160421_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 3. und 4. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 3. und 4. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 28. April 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-04-28 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Romantic Continuities, Romantic Paradigm, Romantic Affordances of Form, Song Form, Lucy, Divine Comedy, Neil Hannon, Upfield, Billy Bragg, Running on Empty, |
| Identifier: | UT_20160428_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 5. und 6. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 5. und 6. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 12. Mai 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-05-12 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, 9/11 Songs, Neil Young, John Hiatt, Loudon Wainwright, Bruce Springsteen, |
| Identifier: | UT_20160512_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 7. und 8. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 7. und 8. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 02. Juni 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-06-02 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Rock, Aesthetics of Rock, Declaration of Independence, Bob Dylan, Like a Rolling Stone, Emergence of Rock, Its Too Late to Stop Now, Van Morrison, Cyprus Avenue, |
| Identifier: | UT_20160602_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 9. und 10. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 9. und 10. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 09. Juni 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-06-09 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Classic Singer, Classic Songwriters, Jackson Browne, Joni Mitchell, |
| Identifier: | UT_20160609_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 11. und 12. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 11. und 12. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 16. Juni 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-06-16 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Satire, Irony, Politics, Randy Newman, Billy Bragg, Jackson Browne, |
| Identifier: | UT_20160616_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 13. und 14. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 13. und 14. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 23. Juni 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-06-23 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Female Voices, Aimee Mann, Fiona Apple, Feist, |
| Identifier: | UT_20160623_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 15. und 16. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 15. und 16. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 30. Juni 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-06-30 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Roots Rock, Folk Rock, Pop Rock, Prog Rock, Lucinda Williams, John Hiatt, Sandy Denny, Richard Thompson, Gerry Rafferty, Mark Knopfler, |
| Identifier: | UT_20160630_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 17. und 18. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 17. und 18. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 07. Juli 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-07-07 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, Lost Ca(u)ses, Ventriloquism, The Piper at the Gates of Dawn, Syd Barrett, Alternative Gospel, Bill Fay, Silver Magic Ships You Carry, Sixto Rodriguez, Woody Guthrie, Billy Bragg, |
| Identifier: | UT_20160707_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 19. und 20. Stunde
| Title: | Vorlesung Romanticism Today: The Singer/Songwriter-Paradigm, 19. und 20. Stunde |
| Description: | Vorlesung im SoSe 2016; Donnerstag, 21. Juli 2016 |
| Creator: | Christoph Reinfandt (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2016-07-21 |
| Subjects: | Romanticism Today, Singer-Paradigm, Songwriter-Paradigm, Lecture, Vorlesung, De-Centerings, Ventriloquism, Bob Dylan, Black Spot, Blind Spot, Stevie Wonder, Tracy Chapman, Michael Kiwanuka, Singer-Songwriter/Hip Hop-Crossover, Ed Sheeran, Plan B, Digital Futurism, Björk, |
| Identifier: | UT_20160721_001_romantsong_0001 |
| Rights: | Rechtshinweise |
| Abstracts: | This course of lectures will discuss the systematic contours of the specifically modern cultural idiom [...] of being in the world (James Chandler) that was established in the period of Romanticism (c. 1770-1832) and has continued to be operative until today. One of the most influential sites of this cultural idiom has been the work of singer/songwriters in the context of rock and pop music from the 1960s onwards. The combination of lyrical expression with musical composition and performance established a paradigmatic core for rock music as the artistically and aesthetically ambitious variety of pop music, so much so, in fact, that the critical engagement with pop music has until recently been biased by what has been called rockism, i.e. the dismissal of pop music which does not fit this particular framework of evaluation and is thus deemed commercial and inauthentic. The lectures will try to chart and disentangle this complex field by drawing on examples ranging from the classics (Bob Dylan, Joni Mitchell, Randy Newman, Van Morrison, Jackson Browne, John Hiatt...) to more obscure (Bill Fay, anybody?) and recent examples (Björk, P.J. Harvey, Jake Bugg, Ed Sheeran, Sophie Hunger, Ben Drew/Plan B...). They will also address songwriting in various decentered group contexts, from John Fogertys Creedence Clearwater Revival and Ray Davies The Kinks to Jerry Garcia and Robert Hunter in the Grateful Dead and on to Mark Oliver Everetts Eels and Jeff Tweedys Wilco. |
