Satire - Sentiment - Sensation: English Literature in the Eighteenth Century
(11 Einträge)
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 3. und 4. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 3. und 4. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 21. Oktober 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-10-21 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Laurence Stern, Tristram Shandy, Writing as Life, (Pro-)Creation, Against Death, Plotlessness, Digression, Character, Names, Lecture, |
| Identifier: | UT_20251021_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 5. und 6. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 5. und 6. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 28. Oktober 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-10-28 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Parody, John Gay, The Beggar's Opera, Burlesque, Ballad Opera, Contrafacta, Poetic Justice, Parody of Satire, Lecture, |
| Identifier: | UT_20251028_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 04. November 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-11-04 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, William Hogarth, Modern Moral Subjects, Picture Series, Parody, A Harlot's Progress, Variety, Beauty, Lecture, |
| Identifier: | UT_20251104_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 9. und 10 Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 9. und 10 Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 11. November 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-11-11 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Politics, Jonathan Swift, A Modest Proposal, Gulliver's Travels, Satire of Projectors, Irony, Lecture, |
| Identifier: | UT_20251111_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 11. und 12. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 11. und 12. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 18. November 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-11-18 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Power of Footnotes, Satirical Poetry, Alexander Pope, Lady Mary Wortley Montague, The Rape of the Lock, The Dunciad, An Essay on Man, Lecture, |
| Identifier: | UT_20251118_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 13. und 14. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 13. und 14. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 25. November 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-11-25 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Literature, Moral Philosophy, Moral Sense, Anthony Ashley-Cooper, 3rd Earl of Shaftesbury, Henry Fielding, Francis Hutcheson, Jonathan Swift, Sympathy, David Hume, Oliver Goldsmith, Adam Smith, Samuel Johnson, Lecture, |
| Identifier: | UT_20251125_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 15. und 16. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 15. und 16. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 02. Dezember 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-12-02 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Laurence Sterne, Tristram Shandy, Lecture, |
| Identifier: | UT_20251202_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 17. und 18. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 17. und 18. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 09. Dezember 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-12-09 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, 18th Century Fiction, Samuel Richardson, Tristram Shandy, Henry Mackenzie, The Man of Feeling, Laurence Sterne, A Sentimental Journey, Pamela, Clarissa, Lecture, |
| Identifier: | UT_20251209_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 16. Dezember 2025 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2025-12-16 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Eliza Haywood, Love in Excess, Sensational Plot(s), Power of Feeling, Lecture, |
| Identifier: | UT_20251216_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 21. und 22. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 21. und 22. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 03. Januar 2026 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2026-01-13 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Charlotte Lennox, The Female Quixote, Sensation on the Road of Reading, Lecture, |
| Identifier: | UT_20260113_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 23. und 24. Stunde
| Title: | Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 23. und 24. Stunde |
| Description: | Vorlesung im WiSe 2025-2026; Dienstag, 20. Januar 2026 |
| Creator: | Matthias Bauer (author) |
| Contributor: | ZDV Universität Tübingen (producer) |
| Publisher: | ZDV Universität Tübingen |
| Date Created: | 2026-01-20 |
| Subjects: | Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Sensations of Travelling, Real Travelling, Imaginative Travelling, Age of travelling, Literary journeys, Journey of reading, Journey of the anti-hero, Sentimental journey, Lecture, |
| Identifier: | UT_20260120_001_ws2526englit1... |
| Rights: | Rechtshinweise |
| Abstracts: | In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gays The Beggars Opera (1728) and Swifts A Modest Proposal (1729) will be read for satire, Charlotte Lennoxs The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sternes Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course. |
