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Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde
Bauer, Matthias (2025)
clipboard
mla
clipboard		 Bauer M. "Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde.", timms video, Universität Tübingen (2025): https://timms.uni-tuebingen.de:443/tp/UT_20251104_001_ws2526englit18th_0001. Accessed 11 Nov 2025.
apa
clipboard		 Bauer, M. (2025). Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde. timms video: Universität Tübingen. Retrieved November 11, 2025 from the World Wide Web https://timms.uni-tuebingen.de:443/tp/UT_20251104_001_ws2526englit18th_0001
harvard
clipboard		 Bauer, M. (2025). Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde [Online video]. 4 November. Available at: https://timms.uni-tuebingen.de:443/tp/UT_20251104_001_ws2526englit18th_0001 (Accessed: 11 November 2025).
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title: Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. und 8. Stunde
alt. title: Lecture Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 7. and 8. Lesson
creator: Bauer, Matthias (author)
subjects: Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, William Hogarth, Modern Moral Subjects, Picture Series, Parody, A Harlot's Progress, Variety, Beauty, Lecture, Vorlesung
description: Vorlesung im WiSe 2025-2026; Dienstag, 04. November 2025
abstract: In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gay’s The Beggar’s Opera (1728) and Swift’s A Modest Proposal (1729) will be read for satire, Charlotte Lennox’s The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sterne’s Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course.
publisher: ZDV Universität Tübingen
contributor: ZDV Universität Tübingen (producer)
creation date: 2025-11-04
dc type: image
localtype: video
identifier: UT_20251104_001_ws2526englit18th_0001
language: eng
rights: Url: https://timmsstatic.uni-tuebingen.de/jtimms/TimmsDisclaimer.html?638984961100560689