Diese Anwendung erfordert Java-Skript.

Bitte aktivieren Sie Java-Script in den Browser-Einstellungen.
Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde
Bauer, Matthias (2025)
clipboard
mla
clipboard		 Bauer M. "Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde.", timms video, Universität Tübingen (2025): https://timms.uni-tuebingen.de:443/tp/UT_20251216_001_ws2526englit18th_0001. Accessed 01 Jan 2026.
apa
clipboard		 Bauer, M. (2025). Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde. timms video: Universität Tübingen. Retrieved January 01, 2026 from the World Wide Web https://timms.uni-tuebingen.de:443/tp/UT_20251216_001_ws2526englit18th_0001
harvard
clipboard		 Bauer, M. (2025). Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde [Online video]. 16 December. Available at: https://timms.uni-tuebingen.de:443/tp/UT_20251216_001_ws2526englit18th_0001 (Accessed: 1 January 2026).
file download bibtex   endnote
Information
title: Vorlesung Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. und 20. Stunde
alt. title: Lecture Satire - Sentiment - Sensation: English Literature in the Eighteenth Century, 19. and 20. Lesson
creator: Bauer, Matthias (author)
subjects: Englisches Seminar, Satire, Sentiment, Sensation, English Literature, Eighteenth Century, Eliza Haywood, Love in Excess, Sensational Plot(s), Power of Feeling, Lecture, Vorlesung
description: Vorlesung im WiSe 2025-2026; Dienstag, 16. Dezember 2025
abstract: In this lecture course, the enormous range and variety of 18th-century British literature will be addressed by focusing on the notions of satire, sensation, and sentiment. Accordingly, John Gay’s The Beggar’s Opera (1728) and Swift’s A Modest Proposal (1729) will be read for satire, Charlotte Lennox’s The Female Quixote (1752) for sensation, and Eliza Haywood, Love in Excess (1719-20) for sentiment. But in each case, the notions are intriguingly mixed, and it is these specific mixtures and combinations that will be of particular interest to us. In Laurence Sterne’s Tristram Shandy (1759-67) all three are inextricably interwoven; this text about the writing of lives and about itself it will offer us a key to 18th-century writing. Many more texts will be addressed, including poetry, but if participants manage to read these five, they will have set things up well. Tristram Shandy is a must-read, especially since forms of irony will accompany us throughout the lecture course.
publisher: ZDV Universität Tübingen
contributor: ZDV Universität Tübingen (producer)
creation date: 2025-12-16
dc type: image
localtype: video
identifier: UT_20251216_001_ws2526englit18th_0001
language: eng
rights: Url: https://timmsstatic.uni-tuebingen.de/jtimms/TimmsDisclaimer.html?639028482850313813